StrangeloveAntony Rotunno's Podcasts

  • "Glass Onion : On John Lennon" (

  • "Film Gold" (

  • "Life and Life Only" (


Items mentioned in / relevant to the dialogue

  • Eric Schlosser, "Almost Everything in “Dr. Strangelove” Was True", The New Yorker (17 January 2014)

  • David Bromwich, "Dr. Strangelove: The Darkest Room", (28 June 2016)

  • Roger Ebert, "Dr Strangelove", (1999)

  • Daniel Rothberg, " "Dr. Strangelove’s" connections to the JFK assassination", Los Angeles Times (22 November 2013)

  • Wheeler Winston Dixon, "Dr Strangelove", via US National Film Preservation Board (2012)

  • Sharon Ghamari-Tabrizi, "Dr. Strangelove", The Kubrick Site

  • David Alan Rosenberg, "The Origins of Overkill: Nuclear Weapons and American Strategy, 1945-1960", International Security, Spring, 1983, Vol. 7, No. 4 (Spring, 1983), pp. 3-71 (

  • Nick Jones, "Commander-1: The Life and Death of Author Peter George, alias Peter Bryant / Bryan Peters, co-writer of Dr. Strangelove; inc. Bibliography", (19 October 2012)

  • Dan Lindley, "What I learned since I stopped worrying and studied the movie: A Teaching Guide to Stanley Kubrick's Dr. Strangelove", (8 September 2009)

  • "LEARNING TO LOVE THE BOMB: A Retrospective on Kubrick's Dr. Strangelove", Empire of the Mind YouTube Channel (

  • Peter Sellers as Fred Kite and Sir Peter Kennaway in I'm Alright Jack (1959) (

  • Kind Hearts and Coronets (1949) (

  • Simon Anthony (letter), "The real Dr Strangelove", NewScientist (5 June 2014)

  • Dr. Strangelove (Wikipedia entry:

  • Try a Little Tenderness (Wikipedia entry:

  • "When Johnny Comes Marching Home" (Wikipedia entry:

  • Strategic Air Command (Wikipedia entry:



  • Podcast theme music: Moment of Green by Antony Raijekov (CC BY-NC-SA 4.0)

  • Podcast image (above and below): By United States Department of Defense (either the U.S. Army or the U.S. Navy) derivative work: Victorrocha (Operation_Crossroads_Baker_(wide).jpg) [Public domain], via Wikimedia Commons; cropped, resized

  • TMR wishes to state that the fact that third-party creative materials appear in TMR productions should in no way be understood as implying that the creators of such materials endorse anything published by TMR.




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